GALERIE DE L’UQAM UNVEILS ITS FALL 2024 PROGRAMMING!

July 4, 2024

Galerie de l’UQAM’s 2024–2025 season makes a bold start with extensive fall programming dedicated to a dialogue between art and knowledge, presence and absence, objects and memory.

In September, the gallery will launch Faux plis par hypothèses, an ambitious project curated by Louise Déry, Director of Galerie de l’UQAM, and Marie-Hélène Leblanc, Director of Galerie UQO, that assembles thirteen bodies of work in five exhibition and research centres in Quebec: Galerie de l’UQAM, Galerie UQO, Galerie l’Œuvre de l’Autre (UQAC), Reford Gardens, and Foreman Art Gallery (Bishop’s University).

In November, the public is invited to discover Inventaires d’une collection, an exhibition conceived by museology researchers Lisa Bouraly, PhD candidate, and Marie Fraser, professor in the Department of Art History, that reveals the invisible history of the Collection d’œuvres d’art de l’UQAM through the prism of its inventories. This exhibition is presented as part of the activities of the CIÉCO research group (Collections et impératif évènementiel/The Convulsive Collections) and the New Uses of Collections in Art Museums Partnership. At the same time, Sarah-Jeanne Landry, a graduating master’s student in Visual and Media Arts at UQAM, presents À propos de la parole, an exhibition showing the formation of an autoethnographic narrative through the artist’s book.

The programming also includes the virtual exhibition Françoise Sullivan. Une ligne imaginaire, available online until May 2028, as well as L’art cultive, a series of free educational kits offered to Quebec teachers to introduce young students to contemporary art.