Peter Gnass. Couper/Coller
Edited by: Louise Déry
Authors: Eve-Lyne Beaudry, Louise Déry, Jocelyne Fortin, Patrice Loubier, Louise Poissant, Marcel Saint-Pierre
Artist: Peter Gnass
2004, 128 p., couverture souple
20,5 x 28 cm, illustrations couleur
Français
Table des matières
Graphisme : Makara
Coédition avec le Musée régional de Rimouski
© Peter Gnass, les auteurs, Musée régional de Rimouski, Galerie de l’UQAM
ISBN 2-920325-87-6
30 $
For this first major monograph on the work of Peter Gnass, six authors were invited to reflect upon an aspect of the artist’s work since the 1960s. Louise Déry, co-curator of the exhibition with Jocelyne Fortin, analyzes a new installation, C for CUT. Louise Poissant, Jocelyne Fortin and Marcel Saint-Pierre are attracted to three series in Gnass’ output: the Topologs, the Progressions and the Projections. Patrice Loubier takes up Gnass’ furtive practices and Eve-Lyne Beaudry discusses his involvement with copyright issues. The catalogue also comes with a digital photograph, printed separately, of the installation C for CUT, signed by Peter Gnass. This publication won an award in the 2005 Grafika competition.
