1.0Galerie de l'UQAMhttps://galerie.uqam.ca/en/rich600338<blockquote class="wp-embedded-content" data-secret="hw72CK1OSK"><a href="https://galerie.uqam.ca/en/artworks/rouge-terre/">Rouge-terre</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://galerie.uqam.ca/en/artworks/rouge-terre/embed/#?secret=hw72CK1OSK" width="600" height="338" title="“Rouge-terre” — Galerie de l'UQAM" data-secret="hw72CK1OSK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> Rouge-terre is one of a number of works since Éclats de rouge (1997) in which Françoise Sullivan explored monochromatic colour treatment. Applying layer upon layer of red paint shot with green accents, the artist has endeavoured to merge the image and the field of colour into a formless whole. Using the canvas as pictorial body, […]https://galerie.uqam.ca/wp-content/uploads/2018/02/Logo_GalerieUQAM.jpg11051537