1.0Galerie de l'UQAMhttps://galerie.uqam.ca/en/rich600338<blockquote class="wp-embedded-content" data-secret="Cp8lq0u9b0"><a href="https://galerie.uqam.ca/en/artworks/portrait-de-deux-revolutionnaires-no-2/">Portrait de deux révolutionnaires no° 2</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://galerie.uqam.ca/en/artworks/portrait-de-deux-revolutionnaires-no-2/embed/#?secret=Cp8lq0u9b0" width="600" height="338" title="“Portrait de deux révolutionnaires no° 2” — Galerie de l'UQAM" data-secret="Cp8lq0u9b0" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> On several occasions during the 1970s, Françoise Sullivan spent time in Italy in order to saturate herself with the art currents that were developing around arte povera and conceptual art. In Rome, she met prominent artists and intellectuals, among them Gianfranco Sanguinetti, the famous revolutionary theoretician who was a member of the Italian section of […]https://galerie.uqam.ca/wp-content/uploads/2018/02/Logo_GalerieUQAM.jpg11051537