1.0Galerie de l'UQAMhttps://galerie.uqam.ca/en/rich600338<blockquote class="wp-embedded-content" data-secret="1WwXKQTw6Z"><a href="https://galerie.uqam.ca/en/artworks/dawna-ii/">Dawna II</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://galerie.uqam.ca/en/artworks/dawna-ii/embed/#?secret=1WwXKQTw6Z" width="600" height="338" title="“Dawna II” — Galerie de l'UQAM" data-secret="1WwXKQTw6Z" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> Dawna II is part of a pair of canvasses depicting the same subject in different ways, exemplifying two styles of Janet Werner’s painting practice that employ the expressive power of the medium of paint. The artist transforms the first figure by highlighting given details of her clothing, by creating different textures, and through the use of successive […]https://galerie.uqam.ca/wp-content/uploads/2018/02/Logo_GalerieUQAM.jpg11051537