Montréal 1942-1992 : L’anarchie resplendissante de la peinture
Authors: Gilles Daigneault, François-Marc Gagnon, Fernande Saint-Martin
1992, 87 p., softcover
Colour illustrations, 24 x 28 cm
Table of contents
Graphic design: Dufour et fille design inc.
© The artists, the authors, Galerie de l’UQAM
The works of thirty-two artists are assembled to highlight the 50th anniversary of Paul-Émile Borduas’s first solo exhibition. François-Marc Gagnon documents the specific context to this foundational event for automatism, as Fernande Saint-Martin looks back on the conflict between figurative and abstract art in contemporary art history in Québec. Gilles Daigneault writes about different manifestations of painting in Montréal during the 1980s.
Galerie de l'UQAM
May 15, 1992 - August 2, 1992